1. Bridge – Hum Canceling – This position will have the most “edge” or “bite”, it responds great to distortion. Perfect for solos or in your face rhythm parts, the HB-2 humbucker possesses the bold midrange typical of standard humbuckers but with tighter lows and sparkling highs that don’t get brittle.
2. Bridge (Coil Split) – Pulling up on the tone knob, splits the coils of the bridge humbucker for spanky single-coil tones. This position is great for chicken pickin’ or when added clarity is needed.
3. Bridge (Coil Split) + Neck – This position has a full-frequency, almost acoustic like tone bit with added compression and twang from the split bridge pickup.
4. Bridge + Neck – Hum Canceling – This position combines the tonalities of the neck and bridge humbuckers. Thick, creamy mids, big, round bass and clear trebles make this a great all-around tone.
5. Bridge (Coil Split) + Neck (Coil Split) – Hum Canceling – This position is great for funk with big basses and hollow sounding trebles. This position possesses some of the quack typical of out of phase pickup settings.
6. Bridge + Neck (Coil Split) – A great all-around tone, this position has a similar tone to setting #4 but with less emphasized mids. This is a great in-between tone that is warm and full with bell like trebles.
7. Neck (Coil Split) – Pulling up on the volume knob, splits the coils of the neck humbucker. This gives an added snap to the smooth, creamy tone of the neck humbucker, great for lead lines or rhythm parts that won’t get muddy.
8. Neck – Hum Canceling – This position produces a smooth, creamy tone great even for jazz or, with some added distortion, singing lead tones.
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